#WHO ARE YOU SCHOOL 2015 SEQUEL SERIES#
Shortly after his arrival in July 1921, Man Ray started documenting the international avant-garde in Paris in a series of portraits that established his reputation as one of the leading Surrealist photographers of his era.
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“Man Ray: The Paris Years” focuses on the innovative portraits that Man Ray made in the French capital between 19, a time when Paris emerged as a powerful center of artistic freedom and daring experimentation. “Madeleine brought so much to the fore and I think that’s what's been great about this is that the exhibition is unlike any previous Man Ray exhibition.” “There were wonderful discussions around cultural appropriation ,” Taylor said. Dugan had a key role in other tasks from writing labels to proofreading copy. Once in the job, Dugan worked directly with Taylor, who included her in meetings organizing the show, always asking her opinion on plans from design to programming. Powers is married to Michael Taylor, Ph.D., chief curator and deputy director for art and education at the VMFA. Catherine’s School, gave her the tip about the job opportunity two years ago. Sarah Powers, Ph.D., a VMFA curatorial research specialist who was Dugan’s high school art history teacher at St. “I like making discoveries, and researching is so fun. “I really have loved it a lot,” said Dugan, who is majoring in craft and material design in the School of the Arts and minoring in art history and criminal justice.
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When Dugan graduates in December, she will have the unique credential of “exhibition research assistant” on her resume and can tout having a strong imprint on a groundbreaking exhibit that shines a light on those who worked, lived and performed in Paris in the 1920s and 30s. Virginia Commonwealth University art student Madeleine Dugan’s work uncovering facts about the lives of the people in famed photographer Man Ray’s portraits played a key role in creating the exhibition “ Man Ray: The Paris Years,” on view at the Virginia Museum of Fine Arts through Feb.