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There are few concessions to nonfans in Live at the Park Avenue Armory, but neutral newcomers to Sakamoto’s brand of high-art music may find themselves captivated by its exquisite beauty and understated emotional force. Keyboards, Vocals Vocal, Producer Ryuichi Sakamoto. This is pure visual poetry, as quietly hypnotic as the music. Engineer Assistant Don Rodenbach, Kazuhiro Morita, Kazuyuki Ikeda, Keiichi Yamada, Tetsuo Saito, Yohei Irieda.
Ryuichi sakamoto live full#
In his sole concession to cinematic grammar, he sporadically fills the full screen with the bespoke monochrome images that wash across a giant video wall suspended over Sakamoto’s piano: drifting snow, watery ripples, heavenly cloudscapes, whirling murmurations of pointillistic dots and other more abstract fare. Using eight cameras, most of them static, Schible captures this concert with cool-eyed exactitude. These experimental digressions may sound almost comically pretentious on paper, but the effects they create are often sublime. Later, he abandons conventional instruments altogether and generates sound from a cluster of modernist sculptures, bowing a curved set of chiming metal rods before teasing out ghostly squeals by scraping microphones across a sheet of glass. A live performance film capturing an intimate concert by composer, pianist and music producer Ryuichi Sakamoto in New York City. At one point in this performance, he leans into the guts of his piano and plucks pizzicato notes from the interior strings with what looks like a chopstick. Sakamoto’s solo album have always leaned more toward the avant-garde sonics of John Cage or Terry Riley than his more conventionally melodic, accessible film scores. Making abundant use of new synthesizers, samplers and recording technology, they pioneered a new electro-pop sound, with tracks like Firecracker / Computer Game becoming electro classics in the east and west. And yet it all seems limitless.” These somber sentiments have inescapable extra weight in this context, given the composer’s own recent brush with serious illness. Alva Noto & Ryuichi Sakamoto - TWO (LIVE AT SYDNEY OPERA HOUSE) - Inosc / Propho / Trioon II (Live) / Scape I / Berlin (Live) / Scape II / Morning + Iano. Ryuichi Sakamoto came to worldwide fame as a member of influential Japanese synth-pop outfit Yellow Magic Orchestra. “How many more times will you watch the full moon rise?” Bowles muses. Probably the most moving track is “ Fullmoon,” which features the voice of Paul Bowles reading a celebrated passage from his novel The Sheltering Sky, taken from the 1990 Bernardo Bertolucci film that Sakamoto scored. The async pieces also reflect elliptically on Sakamoto’s own film work. The symphonic synthesizer piece “ Solari” pays homage to Tarkovsky’s philosophical sci-fi classic Solaris, while the various pre-recorded vocals submerged within the ambient piano ripples of “Life, Life” are based on a poem by the legendary filmmaker’s father, Arseny Tarkovsky.
Ryuichi sakamoto live movie#
The musician describes the asyncalbum as “an imaginary soundtrack to a film Tarkovsky never finished,” and there are artful allusions to the Russian movie maestro in this performance. NYX, MA.'Ryuichi Sakamoto: Coda': Film Review | Venice 2017 The concert saw the pair performing new improvised work and key collaborative compositions from their joint catalogue, which has now reached five albums. TWO captures the esteemed duo’s 2018 performance at Sydney Opera House. alva noto, Ryuichi Sakamoto - The Revenant Theme - Live. Grove shares steamy ode to sensuality with 'Slippery' alva noto, Ryuichi Sakamoto - Naono - Live. Ryuichi Sakamoto shares home concert for people in isolationįact 2021: Commissions and Live Performance Presented by NTS & Thirty Three Thirty Three. In an Instagram post, Sakamoto said of the performance: “Let’s wash hands. Ryuichi Sakamoto is joined on stage by sound artist David Toop performing live from the Silver Building.
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Using guitar feedback, plaintive piano, analogue synthesis and various sound objects, Sakamoto contributes a healing improvisation for troubled times. Originally broadcast as part of ‘Sonic Cure’, a program produced by UCCA+ Kuaishou for isolated people in China back in February, the performance was part of the ‘Voluntary Garden Online Concert’, in which nine musicians performed improvised concerts in relay. Ryuichi Sakamoto has shared an improvised performance, recorded from his garden and home studio, for people living in isolation due to the COVID-19 pandemic. A healing improvisation originally broadcast as part of the ‘Sonic Cure’ program for isolated people in China.